The Maratha Invasion was an important factor in the history of Bengal like the
Chola invasion. While the Chola invasion weakened the Pala rule, the Maratha
invasion weakened the authority of Muslim Nawab Alivardi khan. The Nawab fled
from his capital Murshidabad and had to depend on his Hindu Rajas for a long
time. These Hindu Rajas gave Nawab both financial and military support. Most
notable among them were Natore and krishnanagar Royal Families. However,
Alivardi khan could not defeat the Marathas. From their katwa headquarter, the
Marathas continued their raids on Bengal. Mir Habib was appointed as Dewan and
Shesh Rao as Governor of the Marathas. At last Nawab agreed to pay 22 lakhs to
Peshwa and Chauth to Shahu on 30th March, 1743. But after a period of silence,
Bhaskar Pandit renewed his raids in March, 1744. Alivardi got tired of it and
his men assassinated Bhaskar Pandit on 31st March, 1744, at Mankara. Mir Habib
joined the forces of Alivardi and he was murdered by the Marathas on 24th
August, 1752. As a result, Alivardi lost control over Orissa and Marathas lost
interest in Bengal. This ended the Maratha raids on Bengal. The Bhosles of
Nagpur never again interfered in Alivardi's kingdom. While Bharat Chandra was a
court poet of Maharaja krishna Chandra, he closely observed all these political
turmoils. During his boyhood, he was a silent observer of the ravages caused by the invasion of Maharaja kirtichand of
Bardhaman which destroyed the Bhurshut kingdom as well as his father's
zamindari. His father had to flee and young Bharat Chandra had to spend his
early life in his maternal uncle's house in Noapara. He received early Sanskrit
education in Tajpur Tol. Later learnt Farsi from Ramchandra Munshi of
Debanandapur, Hugli. But neither Sanskrit nor Farsi gave him recognition. It was
Bengali that made him an immortal poet of the 18th Century. Bengali was the
spoken language of the common people while Farsi was the language of the Muslim
ruling elite and Sanskrit was confined among the intellectuals of Hindu society.
However, Bharat Chandra created a new style in Bengali language and in Bangla
music. He was the last powerful poet of Mangalkavya tradition, a Hindu tradition
that had no Islamic influence. The Mangalgaan influenced many Bengali musicians
of the early 19th Century. It was used in Bengali theatres of that time. Today
this tradition is lost and Annadamangal is no longer a favourite of the
Bengalees. But Bharat Chandra survived, not because of his poetry and music-it
was the Bengaliness in him that kept him alive till
today.
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